10,320 Free Images of W. Floyd

department of photographs, metropolitan museum of art metropolitan museum of art albumen prints in the metropolitan museum of art albumen silver print from glass negative w. bruce and delaney h. lundberg gift adrien alban tournachon experiments in physiology. facial expressions romanticism j. m. w. turner great britain

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The Scholar's Mate, Oscar Gustave Rejlander, 1857–59

pictorialism,pre-raphaelite brotherhood photographs by oscar gustave rejlander

Steamer and Lightship, a study for >The Fighting Tremaire<, J. M. W. Turner, circa 1838

steamer and lightship, a study for 'the fighting temeraire' (n05478)romanticism

Steamer and Lightship, a study for >The Fighting Tremaire<, J. M. W. Turner, circa 1838

steamer and lightship, a study for 'the fighting temeraire' (n05478)romanticism

Portrait of John Augustus Sutter, California Pioneer, Stephen William Shaw, 1851

paintings by stephen w shaw john sutter portraits

Autoportret na tle morza., Leon Wyczółkowski, 1925

self-portraits by leon wyczółkowski realism

Portrait of Eliza Franciszka Krasińska née Branicka., Franz Xaver Winterhalter, 1857

eliza krasińska (née branicka)academic art,rococo revival

Portrait of a Man, Andrea del Castagno, circa 1450

paintings by andrea del castagno italian renaissance

Portrait of Magdalena Morska née Dzieduszycka., Alojzy Reichan, before 1847

art works by alojzy reichan magdalena morska

Dawn after the Wreck by J.M.W. Turner, c.1841. Watercolor and gouache, 251 x 368 mm The Courtauld Gallery, London, J. M. W. Turner

romantic landscape paintings romanticism

Portrait of doctor Mieczysław Michałowicz., Leon Wyczółkowski, 1925

portraits by leon wyczółkowski realism

Boats on the Lagoon near Venice, Around Sunset, J. M. W. Turner, 1840

boats on the lagoon near venice, around sunset - 1840 - william turner romanticism

Figure 8: Contraction of the right m. frontalis., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 49: Painful weeping and forward looking., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 36: Scornful laughter and scornful disgust, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 20: Profound suffering, with resignation, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 75: Nun saying her prayers, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 83: Lady Macbeth, ferocious cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 53: Whimpering and false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 47: A suggestion of this same weeping, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 21: Painful recollection and recollection or calling something to mind, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 73: Head of Niobe, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 81: Lady Macbeth, moderate expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 78: Scene of coquetry, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 45: Pain and despair., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 12: A study of the contraction of and the expression produced by the superior part of m. orbicularis oculi, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 54: Voluntary lowering of the lower jaw, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 57: Astonishment, stupefaction, amazement, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 16: Expression of severity, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 66: Head of Arrotino (the spy, the knife grinder, and so on), Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 17: On the right, electrization of m. procerus: severity, aggression. On the left: attention., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 50: Affected weeping and face in repose, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 60: Fright, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 48: Mild weeping, pity and feeble false laughter, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 22: No painful expression, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 25: Not an expression of pain, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 39: The attention attracted by an object that provokes lascivious ideas and desires., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 10: Showing the expressive lines of m. frontalis in a young girl, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 56: Surprise, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 62: Terror, semiprofile, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 6: The grimice produced is similar to a tic of the face, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 26: Expression of painful attention and attention, attentive gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 3: The face of an old man... photographed in repose., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 9: A study of m. frontalis in maximum contraction, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 24: Extreme pain to the point of exhaustion, the head of Christ and memory of love or ecstatic gaze., Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 63: Expression of terror, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 82: Lady Macbeth, strong expression of cruelty, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 15: Mediation, mental concentration, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 27: Expression proportionally more pained, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 4: The face in repose of a young man, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 52: Voluntary retraction of the lower lip, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Olga and Tatiana Nikolaevna of Russia 1900, Olga Nikolaevna of Russia

tatiana nikolaevna of russia in family photographs olga nikolaevna of russia in family photographs

John Ruskin by W. & D. Downey, John Ruskin, 1863

pre-raphaelite brotherhood,freethought john ruskin

Portrait of Wincenty Kędzierski., Mikołaj Strzegocki, 1875

works by mikołaj strzegocki orsetti house in jarosław

Sommer, Giorgio (1834-1914) - n. 2211 - Arrivo di S. M. l’Imperatore d’Alemagna, 1888-10-16 - Napoli, 16 October 1888

umberto i of italy in photographs mannerism

The Thames above Waterloo Bridge, J. M. W. Turner, circa 1830

framed paintings in tate britain romanticism

Potsdam Conference – Cecilienhof Palace Conference Table, 19 July 1945

william d. leahy at the potsdam conference potsdam conference

San Giorgio Maggiore, Venice, at Sunset, from along the riva degli Schiavoni, J. M. W. Turner, 1840

san giorgio maggiore, venice, at sunset, from along the riva degli schiavoni romanticism

Sea and Sky, J. M. W. Turner, circa 1845

turner. horror and delight romanticism

Female Study Head with Blue Hat, Wilhelm Trübner, 1875

wilhelm trübner in jahrhundertausstellung deutscher kunst 1906 1875 oil on canvas paintings

Daniel Halévy, Edgar Degas, 1895

photographs by edgar degas in the metropolitan museum of art impressionism

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creative commons wolf

Catherine Main Bartlett, Charles William Bartlett, 1936

watercolor paintings by charles w. bartlett 1936 watercolor paintings

The Grand Canal: Scene - A Street in Venice, J. M. W. Turner, 1837

landscape paintings in the huntington library romanticism

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north america bird

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Falls of Terni, circa 1860

historical images of italy by robert macpherson historical images of cascata delle marmore

Pierrot Running, Adrien Alban Tournachon, 1854–55

photographs of charles deburau by nadar photographs by adrien tournachon

The Valley of the Anio, with the Upper and Lower Cascatelle, Mecenas's Villa, and Distant Campagna, by 1858

department of photographs, metropolitan museum of art historical images of tivoli by robert macpherson

Three Studies of Coulds over the Sea, One by Moonlight, J. M. W. Turner, c.1826–40

three studies of coulds over the sea, one by moonlight - william turner romanticism

A Study of Firelight, Perhaps in a Glass Workshop, Venice, J. M. W. Turner, 1840

a study of firelight, perhaps in a glass workshop, venice romanticism

The St. Gotthard-Road between Amsteg und Wassen, Looking up the Reuss Valley, J. M. W. Turner, between 1814 and 1815

watercolor paintings by joseph mallord william turner in the tate britain romanticism

Chamonix: Mont Blanc and the Arve Valley from the Path to Montenvers, J. M. W. Turner, 1802

watercolor paintings by joseph mallord william turner in the tate britain romanticism

Fribourg, J. M. W. Turner, circa 1841

turner. horror and delight romanticism

Landscape: Christ and the Woman of Samaria, J. M. W. Turner, 1825

framed paintings in tate britain romanticism

Modlitwa w Ogrójcu., Jakub Mertens, circa 1600

paintings in the st. mary's basilica in kraków jakob mertens

William Callow, R. W. S., F. R. G. S. (1908) (14765715495), William Callow

william callow, r. w. s., f. r. g. s. (1908)engravings of notre-dame de paris

Book of Studies: Pembury Mill, Kent, J. M. W. Turner

mezzotints by joseph mallord william turner in the cleveland museum of art romanticism

Wooden Staircase at Chartres, Henri Le Secq, 1852

department of photographs, metropolitan museum of art henri-jean-louis le secq

Figure 71: Same head as in Plate 70, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 18: Aggression, wickedness, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Figure 70: Head of the Laocoön of Rome, Adrien Alban Tournachon, 1854–56, printed 1862

department of photographs, metropolitan museum of art experiments in physiology. facial expressions

Goldau, with the Lake of Zug in the Distance: Sample Study, J. M. W. Turner, between 1842 and 1843

watercolor paintings by joseph mallord william turner in the tate britain romanticism

New York City - first annual ball of the Skidmore Guard, a colored military organization, at the Seventh Avenue Germania assembly rooms LCCN95522076, Frank Leslie, 8 February 1872

frank leslie's illustrated newspaper, 1872 1872 engravings

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